The warm and welcoming curvatures of Antelope Valley’s Slot Canyons inspire you with a sensuality molded through centuries of monsoonal heat and floods. The Navajo refer to the formations in the region as Navajo Sandstone; the reddish-orange volcanic sand mixed with water and baked by the sun is what they Navajo also use to build their tradition homes known as hogans.
While part of the Navajo Nation, these canyons were never inhabited by the tribe due to the violent flash floods; species such as snakes and scorpions are some of the unfortunate victims that get swept into the slots. Local guides collect them as they clear the canyons of the debris; diamond backs that have been stranded in the upper reaches have been known known to drop onto the canyon floor.
One of the more striking formations is the “Lady in the Wind.” She is nature’s version of Michaelangelo’s Slaves; figures emerging from the marble that are housed at the entrance of the Academia in Florence where his famous statue of David resides. But the Lady in the Wind is not part of any human construct; she is force of nature, forged from elemental earth and water: The Lady becomes one with the storm.
The fluctuating light plays with the sloping crescents and arches throwing shades of red, yellow, orange while refracting hints of bluish black on some of the sharper edges.
The Navajo insist on wearing masks; the tribe took a terrible hit during the pandemic so no smiling faces in the photo which is a minor sacrifice in respect for the Dine’.